The Common ToneWhere the Sacred and the Profane Share the Same Cup

Topics in the published chapters

Analysis and listening

Also called: Theory and listening

Augmented and diminished intervals

Backbeat

Also called: Groove

Bars and bar lines

Also called: Measures, Downbeat

Beams, flags, dots and ties

Beat and pulse

Also called: Pulse

Blues scale

Chromatic scale

Compound intervals

Also called: Ninth, Eleventh, Thirteenth

Consonance and dissonance

Descriptive theory

Harmonic and melodic minor

Interval inversion

Also called: Rule of Nine, Mirror Rule

Intervals

Also called: Interval size, Interval quality

Ledger lines

Major and minor intervals

Also called: Major third, Minor third

Major scale

Also called: Ionian mode

Metre

Also called: Meter

Musical arrival

Musical texture

Natural minor scale

Also called: Aeolian mode

Notation

Octave signs

Also called: 8va, 8vb

Pentatonic scales

Also called: Major pentatonic, Minor pentatonic

Perfect intervals

Also called: Perfect fourth, Perfect fifth

Rhythmic values

Also called: Note values, Rests

Scale degrees

Also called: Tonic, Leading tone

Simple metre

Also called: Duple metre, Triple metre, Quadruple metre

Sound properties

Staff and clefs

Also called: Treble clef, Bass clef

Tempo

Also called: Beats per minute, BPM

Time signatures

Also called: 4/4, 3/4, 2/4, Common time

Tones and semitones

Also called: Whole step, Half step

Tritone

Also called: Augmented fourth, Diminished fifth

Tuning and temperament

Also called: Cents, Pythagorean comma, Syntonic comma

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